Mary, whose roses wilt in the evening streetlight
bent through the window of her elbows resting
far from the river carrying her bright secret
home, Mary of too many letters
piling one on top of another and whose poetry unwedded
weeped under her bed in the black
box of an unbroken garden her
fingers red clay on the brick and bones of a tired family
a long room in heat and Mary your blood a red crest
bursting out
from the low grave of your father
or through the fields where I lay down beside
you Mary
in the baptising heat
of your new wound we were
children in the dying grass opening
ourselves beneath egg-white skies
a
the preachers body ascends to by wombatical, literature
Literature
the preachers body ascends to
And in prayer, Lord we forget ourselves forget our hands forget our fingers forget eyes mouth tongue bent double curled up Lord, we forgive ourselves make what's right and good- whatever, Lord do not teach us how to live do not rope us together we small and buried blooming, open impressions of cat's skulls grinning wicked singing magic light-folded bent like leaves straying from our brutal imaginations, Lord forever is so long and so long and so long with nothing but rain snow Your incredible machine, we are lost seaweed in rivers Lord, open canvas of tents Lord, bruised petals of roses Lord, we cannot touch our eyelids, we do not grow in sh
what i wish to tell you... by wombatical, literature
Literature
what i wish to tell you...
whispering
we built so many beautiful things-
bent ribs convex mirrors
ashen jewelweed pouring through
bones
how we suffer
for the wood. nails
tack
canvas
rope bound boat moored in the lake
salt licked water
cold goosebumps 4:30 AM in a raincoat.
dawn is three hours before in texas and
we tip-
toe in black light of wells.
crushed cornflowers
mud
sifting
through the clear plastic bag
nights we forget
have forgotten for peace.
the house bent low
to the lake,
aging streetlights birds
in the living room and
already I
am in love
searching for the warm
places in the moon-lit
floor
delica
Reasons for 2 Bodies Entwined by wombatical, literature
Literature
Reasons for 2 Bodies Entwined
Because you are here,
Because you met me between two fields,
Because you wrote of freckled angels,
And Because you twirled under that streetlight
on one good ankle, silent supernaturally smooth
Because your hair hung loose on the car seat
as you touched your head to my shoulder
and Because your ears were impossibly sweet
Considering your post-it notes, your pens
and your papers, considering your
words in ink and your name in lipstick
and Because of the birth mark at the nape
of your neck, because your wrists slow
sound on my wrists
Because you are the front porch, the lamp,
the screen door, the hands soft on welded
skin
there are, first of all, the red flowers--
already they are blooming, already
they line the soft parts,
petals wound round
tense cords, flesh excited button
at night he would taste thier colored
insides, sketch paleness on thier fingers
these they would take for themselves,
spread filaments clutch cradle of man-
hood, spent currency of bliss
these they bent inward, leaves entangled
crept up through the hips; oh love,
how can i describe it to you? only as
a pair of foxes atop a ridge, a grove
of cherry trees ripe red in the summer.
don't worry mother, your daughter craves a lot of things--
the sky is pregnant and wet at the hips; sweet ridge of body
i'll break when right in moonglow. much nerves over nothing.
when, after all: what good is dust on her wrists?
chapped tips of her fingers i'll soften in twilight, strip
of the bracelets and writer's lead. so much for blood
on her pillow; mint of our hotel. bags I'll carry with
pictures for home. see? your baby still dresses in red
still licks her lips when thirsty: what difference in her taste?
she'll come around [don't say she won't]. the frilled skirt
you bought still rests in her suitcase. nothing else but em
who enter whispering
whose rest Whose tired working
Whose backs are broken legs of a chair
Whose chorus are cracked stones here
in the sun drying
whose nest Whose ashes machine woven
burnt shoulders smoke in the factories
Whose bodies frail as cigarette paper
named Trutnov, Whose word means dying
black bones two girls huddled for warmth
whose stories are invisible feet running
past fences, one would make from skin
to escape Whose dirt whose trees cleared
in the night of shattered glass, wept
all morning overturned tombstones
now fifteen girls, Whose bread whose soup
means a long time
O currents, low watch the ground run rave,
cry cusped shoulders hunch, whisper
running of jaw to thigh;
tip to bone, blue and sliding
oh, this struck panting pink, lit me up
hard gaping, bite down you'll taste
lust and copper, creeping slow the skin
strike smooth the knee-cap, cream for
your lips
my, my, strip those fingers sung
stuck inside; look how shy the wall looks
back. soon,
not yet o currents bled young, kiss to stop
the maddening still please just us. why
do you moan so sudden where,
here? come lower, arch up I want
the neck stiff shocked, wrists stretched
mouth move stumbling,
grip solar plexus, o current I
g
mama talk to your daughter,
talk to your daughter for me
i come here, am birthed screaming
cotton fields and sunlight, raise
up curling fingers through smoke,
hooking thumbs in my back pockets,
sing rain and crossroads where
the devil has slept; where
i grow assured of wind, Missouri
tide and Texas rope bound my hands
and sat me down on heaven's chair,
i have become number zero-six-six-two-six
saved through reform and gunmetal
bibles, tears come easy
in this valley of red clay,
where i was baptised
in the chorus of Muddy Waters, ran
parallel coyotes and skybreaks
pour through the reeds of my one
harmonica, my one
For us, our portrait and jungle, sketching charcoal imprints naked in the banana leaves. Retching violent palmprints pressed down into the sand, the sea tide beckons with crooked pinky, asks us questions but we're too tired to hear, too much submission and obedience; resolving then to forget this beach, this dimebox where you promised the deep valley would wait, would close up or fade away in the figured wheel of memory. Except now it hangs brooding schism regretting, now it grows impassable for me and not you.
Don't go, don't leave, stay and I'll promise the wings erupted from shoulder blades, the sexual hip and collar bones, the taste of l
Mary, whose roses wilt in the evening streetlight
bent through the window of her elbows resting
far from the river carrying her bright secret
home, Mary of too many letters
piling one on top of another and whose poetry unwedded
weeped under her bed in the black
box of an unbroken garden her
fingers red clay on the brick and bones of a tired family
a long room in heat and Mary your blood a red crest
bursting out
from the low grave of your father
or through the fields where I lay down beside
you Mary
in the baptising heat
of your new wound we were
children in the dying grass opening
ourselves beneath egg-white skies
a
the preachers body ascends to by wombatical, literature
Literature
the preachers body ascends to
And in prayer, Lord we forget ourselves forget our hands forget our fingers forget eyes mouth tongue bent double curled up Lord, we forgive ourselves make what's right and good- whatever, Lord do not teach us how to live do not rope us together we small and buried blooming, open impressions of cat's skulls grinning wicked singing magic light-folded bent like leaves straying from our brutal imaginations, Lord forever is so long and so long and so long with nothing but rain snow Your incredible machine, we are lost seaweed in rivers Lord, open canvas of tents Lord, bruised petals of roses Lord, we cannot touch our eyelids, we do not grow in sh
what i wish to tell you... by wombatical, literature
Literature
what i wish to tell you...
whispering
we built so many beautiful things-
bent ribs convex mirrors
ashen jewelweed pouring through
bones
how we suffer
for the wood. nails
tack
canvas
rope bound boat moored in the lake
salt licked water
cold goosebumps 4:30 AM in a raincoat.
dawn is three hours before in texas and
we tip-
toe in black light of wells.
crushed cornflowers
mud
sifting
through the clear plastic bag
nights we forget
have forgotten for peace.
the house bent low
to the lake,
aging streetlights birds
in the living room and
already I
am in love
searching for the warm
places in the moon-lit
floor
delica
Reasons for 2 Bodies Entwined by wombatical, literature
Literature
Reasons for 2 Bodies Entwined
Because you are here,
Because you met me between two fields,
Because you wrote of freckled angels,
And Because you twirled under that streetlight
on one good ankle, silent supernaturally smooth
Because your hair hung loose on the car seat
as you touched your head to my shoulder
and Because your ears were impossibly sweet
Considering your post-it notes, your pens
and your papers, considering your
words in ink and your name in lipstick
and Because of the birth mark at the nape
of your neck, because your wrists slow
sound on my wrists
Because you are the front porch, the lamp,
the screen door, the hands soft on welded
skin
there are, first of all, the red flowers--
already they are blooming, already
they line the soft parts,
petals wound round
tense cords, flesh excited button
at night he would taste thier colored
insides, sketch paleness on thier fingers
these they would take for themselves,
spread filaments clutch cradle of man-
hood, spent currency of bliss
these they bent inward, leaves entangled
crept up through the hips; oh love,
how can i describe it to you? only as
a pair of foxes atop a ridge, a grove
of cherry trees ripe red in the summer.
don't worry mother, your daughter craves a lot of things--
the sky is pregnant and wet at the hips; sweet ridge of body
i'll break when right in moonglow. much nerves over nothing.
when, after all: what good is dust on her wrists?
chapped tips of her fingers i'll soften in twilight, strip
of the bracelets and writer's lead. so much for blood
on her pillow; mint of our hotel. bags I'll carry with
pictures for home. see? your baby still dresses in red
still licks her lips when thirsty: what difference in her taste?
she'll come around [don't say she won't]. the frilled skirt
you bought still rests in her suitcase. nothing else but em
who enter whispering
whose rest Whose tired working
Whose backs are broken legs of a chair
Whose chorus are cracked stones here
in the sun drying
whose nest Whose ashes machine woven
burnt shoulders smoke in the factories
Whose bodies frail as cigarette paper
named Trutnov, Whose word means dying
black bones two girls huddled for warmth
whose stories are invisible feet running
past fences, one would make from skin
to escape Whose dirt whose trees cleared
in the night of shattered glass, wept
all morning overturned tombstones
now fifteen girls, Whose bread whose soup
means a long time
O currents, low watch the ground run rave,
cry cusped shoulders hunch, whisper
running of jaw to thigh;
tip to bone, blue and sliding
oh, this struck panting pink, lit me up
hard gaping, bite down you'll taste
lust and copper, creeping slow the skin
strike smooth the knee-cap, cream for
your lips
my, my, strip those fingers sung
stuck inside; look how shy the wall looks
back. soon,
not yet o currents bled young, kiss to stop
the maddening still please just us. why
do you moan so sudden where,
here? come lower, arch up I want
the neck stiff shocked, wrists stretched
mouth move stumbling,
grip solar plexus, o current I
g
mama talk to your daughter,
talk to your daughter for me
i come here, am birthed screaming
cotton fields and sunlight, raise
up curling fingers through smoke,
hooking thumbs in my back pockets,
sing rain and crossroads where
the devil has slept; where
i grow assured of wind, Missouri
tide and Texas rope bound my hands
and sat me down on heaven's chair,
i have become number zero-six-six-two-six
saved through reform and gunmetal
bibles, tears come easy
in this valley of red clay,
where i was baptised
in the chorus of Muddy Waters, ran
parallel coyotes and skybreaks
pour through the reeds of my one
harmonica, my one
For us, our portrait and jungle, sketching charcoal imprints naked in the banana leaves. Retching violent palmprints pressed down into the sand, the sea tide beckons with crooked pinky, asks us questions but we're too tired to hear, too much submission and obedience; resolving then to forget this beach, this dimebox where you promised the deep valley would wait, would close up or fade away in the figured wheel of memory. Except now it hangs brooding schism regretting, now it grows impassable for me and not you.
Don't go, don't leave, stay and I'll promise the wings erupted from shoulder blades, the sexual hip and collar bones, the taste of l
in our beds and graveyards by MisterMatchett, literature
Literature
in our beds and graveyards
not in the eyes, but stiffly in our
beds we weep. we're like candy
nations or troubled bears, and we
don't know where we can go
the moon-light gives us shadows
and the sun provides us pots and
pans, our mother fell on her knees
bent over a package of honey and
pencils for the longer days. nobody
wants to speak anymore.
if you can see me, come home or
run away or trip over a rotting log,
it's like this: around here, we don't
die but bloom as crazy redwoods
down the hills, up the gravestones
into chemical wishes and a fixed
image of a town. onto the rooves,
up the ladders they will never find
us and we leave no tracks, come
i
The dream was always running by WhoKilledKirov, literature
Literature
The dream was always running
.
Oh, little crook'd arrow;
sawed from sapling, bone-smooth shaft.
Little arrow of inner divination,
I fear'd the knocks would splinter you finely.
Oh, little crook'd arrow;
there you have made my eyes run,
shot and kill'd yourself a bird.
(My, my) On a doorstep!
Clever fowl it were.
Though we spied it, (oh) we are ever so quick;
hidden behind those lamp chains- ones pulled.
Spark'd that bulb of creation.
I am fat with it,
Now all red and runny;
a little child's winter nose.
Pick'd apart with my fingers, the miracle.
And I am ever full and satisfied.
flight 24b to los angeles by PrivateerLunatic, literature
Literature
flight 24b to los angeles
in
a forward motion
over the deep fall
ing floor of the world
where the tapestry
of streetshines races in
gentlechaotic
consonance tranced -
a figure of lights
alone with darkness
closing in around and
infecting the state
of man's expanse and
the photons of sun
fire consuming the
horizon, stretching
across the bend of the
world (visible
only from this height)
irre gular in form
to eat the darkness
alive, dispelling
the blank empty -
we begin our slow
but shaky descent
to the earthborn
starf
there's beauty in the breakdown
--frou frou, let go
does he have to love you for it to matter
romeo and juliet broke hearts breaking to pieces
you thought you had the play so well figured out
contorted despite our symmetry your unconventional nature
the ribs the lips the tide of your hips overflowing
speaking japanese was a heart
a hand and
the keeping of the two
you tried to think of something deep to say
gertrude stein in her making of a miracle through secondhand lions
you raged through the prisonyard like a former convict
can't decide whether to sit or stand or fall or jump or stare
into the nothingness of transparent antiq
I feel separate;
the days are long
and not my own,
but the sun is
swallowed by the
far meridian curve,
an expanse known
to science but not
fully to the quiet
drifting heart of
the me who fades
in and out of
this faltering place,
this rotating globe,
where I was born
but have never lived.
I am conscious
but alien to earth,
with big eyes and
the frailest arms,
It's funny, how it seems to revel in the time. Sleepless hours and minutes of
insightful revolution, all streaming through withered fingers like some lustrous hue.
But this is a photograph in a sullen series, abandoned ethics for non-objective
expression. In minute pieces.
Beneath the umbra of the ceiling fan, obscured by the sunlight bleeding through
Venetians, I wonder why I lean in so close. Cleaned by the glow of the French
silhouette matinee he blinks to the super subtle rhythm of my pediatric percussion, my
pedantic parenthesis goes unnoticed. Once again. Slumped over in a vacant house, humming
over days past like
petals swell like a picked-at gum,
toothache you are and i never saw
a man who liked meatballs so much
they tell me the world is in danger of loving you
behind those bars i see a face that never tells the truth,
cutting up rope to tie lies around skies that
hold him in pieces, and i
read bukowski listening to jazz holding out for the Great Tomorrow,
my pansies bridging the gap between marigolds and tulips
i am such an ordinary woman, they say, we say, saying
together as if chanting as if
shouting declaring hoping for a revival a redemption of sorts
that will never come
i love this cage i live in,
my television box and my kleen
Ole or Sex With Coltrane by wombatical, literature
Literature
Ole or Sex With Coltrane
lifting inhales the staccato breath, and ascending static lines overlapping
clockwise letters in their epileptic frenzy,
adding in measure to the piano prefaces as one-eighth of a second ticks by,
roaming pilgrim stops for a moment in the auratically-hewed landscape, as now in vibrant canary yellow that nests in Borneo, away from hungry coal mines; soot black outlines of Spanish terra cotta tiles and Revivalist sermons
sung in alto to opposing rooftops, arms raised in unison the guttural greeting to the day. And as now - in corrosive orange, indicative borders its low-lying neighbors, arching out to meet the glorious red of Iberian Moors
Current Residence: Austin, Texas Favourite genre of music: rock, jazz, electronic Operating System: XP MP3 player of choice: winamp Shell of choice: schwaaa? Favourite cartoon character: Spike
Favourite Bands / Musical Artists
JOHN COLTRANE, Broken Social Scene, ELECTRELANE
Favourite Writers
Sandra Cisneros, Gabriel Garcia Marquez, Robert Pinsky, Hal Borland
'Ello. I classify you as a literary deviant. As such, you qualify for a watch, as long as you respond. I am trying to round up as many writers as possible, because we simply don't get enough recognition. So we will have to give each other recognition instead. So if you comment me, I'll do the same for you. I make it a matter of pride to leave in depth critiques, and value my DevFriends.
What do you think?
(please note that I am away this week - so it might be a little while before I get back to you)